Supersonic Treats From The City of Birmingham

Black Galaxy vs Kreepa
ZX Spectrum Orchestra
Esquilax

Visuals by Beat13/Catweasel

In recent years, Birmingham has developed a
potent electronica scene, breeding artists such as Plone,
Broadcast, Pram, Magnetophone, Scorn, Sand, Tele:Funken, The
Modified Toy Orchestra, Dreams Of Tall Buildings, PCM and Mike In
Mono. Innovative artists need innovative record labels. The current
Birmingham scene is bristling with vital new set-ups that are
dedicated to the music’s confrontational byways, without
relinquishing its funky pulse…

Black Galaxy features Nicholas Bullen whose abrasive work in
Napalm Death initiated a new musical genre known as ‘Grindcore’ and
later a member of the dark, isolationist and dub-influenced Scorn.
In collaboration with Simon Mabbutt they fuse cold and alien
galactic soundscapes with minimal warped bass and glacial rhythmic
underpinnings to create nocturnal sonorities.

kREEPA mix electronic and acoustic elements to create
improvisations that explore the dynamic interplay between
acousmatic synthesis and instrumental approaches. (Members of
Sand)

ZX Spectrum Orchestra (feat. Brian Duffy + Mike in Mono) its
capability to create a more unconventional sound is limitless.
Everything you will see and hear is derived from a steep and
logistic learning curve. Peek, Poke and Merge.

Brian Duffy / Modified Toy Orchestra works with electronic sound
toys that have been rewired and reconfigured to create a series of
musical instruments each creating their own new electronic sounds
which oscillate between the familiar function of the toys and new
sounds far removed from the original function.

Mike In Mono (UK Halfeaten Records) aka Mike Johnston is better
known as member of Birmingham’s kitsch electronica trio Plone
(Warp). His ever growing fondness for ‘spoken word’ is now a
relished element in the mike-in-mono show.

Esquilax are a shiny party plastic new wave avante-garde pop
terror group -possessed by Devo, raised by Agoraphobic
Nosebleed.

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kid commando + noise noise allore! + the arm

KID COMMANDO (sweden – tigerbeat6)
NOISE NOISE ALLORE
THE ARM

KID COMMANDO hammer out on short pieces of total-noise-punk-attack. They are Sweden’s most frantic noise kids and give an experience of intense chaotic rock’n’roll that sounds like ‘The Jon Spencer Blues Explosion’ on acid. A lot of acid… Power Violence meets R&B

Two guitarists and one drummer, the members of Kid Commando seem to be in constant battle with the instruments they play. Every note a painful struggle. Every drum fill, next to impossible. Art damaged sandpaper rhythms cut jagged grooves into normalcy. They call it” new funk”. Kid Commando hail from Gothenburg, Sweden. This year they released “Holy Kid Commando” on Ache Records, an album chock full of awesome, churning, battle-scarred drone chords and propulsive drumming funking every song through from false start to chaotic finish. In 2002 Kid Commando toured the UK with the now-defunkt Arab on Radar (who went on to spawn the Chinese Stars). The band are currently working on an album for Kid606’s label, Tigerbeat6, to be released in April 2005.

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Noise Noise Alore – members of Calvados Beam Trio, Deadsunrising and Solway Fifth show their fruitier side with an awesome yet somehow very wrong live show. Prepare yourselves for small pants and high socks.
     
The Arm…West Midlands based trio who merge awkward, mathcore riffs with melody and subtle electronica.
www.the-arm.co.uk

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Capsule 5th Birthday Party



Well we just can’t believe we’ve been around for so long and been allowed to get away with it…….in order to celebrate and thank all those who have supported us over the years we’re throwing a party, and to help us do that we have some great surprises up our sleeves including live performances from Noise Noise Alore( probably the fruitiest band on the planet), Esquilax + friends, a final farewell from the legendary king of pop Floach and a set by PCM but not as you know them.
As well as special guest djs and some tasty cinematic treats courtesy of 7 inch cinema. Not forgetting a chance for you too to shine with some karaoke……

 

see below what a mess has occured at past capsule parties…
mmm a running theme of fashion faux pas

 

 

 
“Merzbow, David Grubbs, Mira Calix, Calvados Beam Trio, VVM, Oxes on Boxes, Fugazi, Godspeed, Kid 606, Black Dice, Melt Bananarama, Lydia Lunch, Lightning Bolt.

10 Years ago if you wanted to go see any of these or similar bands you would be taking a trip to London or nearby, better cities like Manchester, Edinburgh or Wolverhampton, and sleeping under some damp cardboard boxes at the station, or someone’s sticky lino kitchen floor because the last train back to Brum was at ten to nine. If you wanted music in Birmingham in the dark, dark days of 1995, you could choose from Bob Dylan at the NEC (£35.00 plus booking fee) or Ronnie Scott’s for Tony Hadley supported by King Pleasure and Broken Biscuit Boys any given Wednesday for £12.00 (drinks £4 per pint). Because let’s face it, in those days Birmingham WAS shit…

I certainly don’t recall anyone contesting the fact on website or elsewhere! In the last five years or so things have changed, big shops have been built, nice places to eat after 5pm have began to emerge, things have been painted white and broken biscuits have been banned from the city centre. And more importantly you can go to see good, interesting new music at a fair price, meet groovy, fun people and still have enough change from a twenty for a balti. It is almost exclusively the Capsule Girls who have made this happen. We should be grateful.

Posted on: 5/18/2004 4:29:19 AM http://www.chatarea.com/birminghamitsnotshit.m2258553

since 1999 Capsule have brought you live performances from::
polaris snail racing imbis bilge pump wonderland retail therapy billy mahonie calvados beam trio buick 6 do make say think epic 45 sand solway fifth active optics a silver mt zion frankie sparo oxes geiger counter andrea parker v/vm sir real l’altra rothko fly pan am karamasov DoTB chicks on speed echo boy luke vibert spirit caravan dukes of nothing for my brain kid 606 gold chains iacon gescom bola floach papa november brian duffy building transmissions freeform cave in deadsunrising check engine godspeed you black emperor! kepler techno animal jansky noise matt wand hood electric wizard warhorse mistress mum dntel people like us plaid richard devine chris clark russell haswell to rococo rot mike in mono clouddead reaching quiet boom bip + doseone radioinactive uncle john + whitelock banknotes david grubbs the toques venetian snares fanny teatowel fugazi retisonic gogo airheart push button objects kit clayton vikter duplaix charlie dark bugz in the attic nolan weekes pram numbers arcade grover fog nfl trio outhud little robot voice berg sans nipple tele:funken black dice oskada mira calix noxagt lydia lunch coil dj food LCD sound system the bug kid acne req PCM black galaxy spectrum orchestra the mighty junglator bathysphere piratehairwaves oxbow dalek desructro swarbots church of gary busey the rapture hecker pita hiaz vd_moth muziq frog pocket k-formation sightings death of a champion why? american heritage foe art of burning water sinners vs swimmers melt banana trencher esquilax bogdan raczynski astrobotnia mono scree lightning bolt envy hanged up polmo polpo elizabeth anka vajagic merzbow kaffe mathews + riz masten com.a ceephax shitmat knifehandchop irritant jade one marc almond selfish cunt Q and not u bullet union cylob dj x neil landstraumm harvey lane senor coconut + his orchestra spektrum zongamin christ dj scud panacea team shadetek british murder boys (surgeon + regis) panic dhh ward fast lady midaircondo frank cougar benn and cyan pelican jesu some girls das oath jega chevron minus the bear the murder of numinor dj/rupture ove naxx 5ive ramesses

and art work from::
ben javens lisa meyer jenny moore ian richards claire smith wunderkammer
shepard fairey aka giant marok from lodown magazine chris drury – fingathing
johnny fu momoko mr scruff pete fowler toby paterson adam neate nick taylor
will sweeney tom barwick pete hellicar harry GFM darryl smith wig worland
rich holland marjie de hass foz simon true rolf gehlhaar jonah bruker-cohen
matt watkins + lucy mclauchlan- beat 13 steven barich chu tom gauld sadim habib andrew james jones al murphy otonashi the out crowd pete bachelor prime objective

 

 



Contact Links Forum Stuff to buy Consultancy About us Past projects Coming up Home

 

Capsule 5 years on – Colin Tudor

It is so easy now to mull over the relative merits of the DJ Rupture or Lightning Bolt gig on in town tonight. 5 years ago the idea of a regular flow of cutting edge, vital new music flowing through Birmingham was a fantasy. Over the intervening years Capsule have proved to be diligent and energetic supporters of quality music with the ears of true fans and DIY commitment we should all applaud.

Over 5 years Capsule have presented 86 events. Capsule has presented artists from a range of genres and a mixture of established and emergent artists, with an emphasis on the experimental side of each genre. Capsule have built up a reputation for bringing international / national talent to the West Midlands and for being instrumental in the development of the current experimental music scene in the region. Every one of these events has featured regional artists, they are fundamental to Capsules activities and to the creative scene within the West Midlands.

Capsule are Lisa Meyer & Jenny Moore, they create, curate and facilitate Capsule events and collaborations with energy, wit and positive spirit. Whether it be art installations, organizing trips to Sonar, co-promotions with local promoters, Cinema or cultural events.

Jenny explains “Exhibitions have also been high on the list of things we like to do. Giant was an early high point because we were so thrilled to have an exhibition by an artist whose work we really admired, and equally so with the Lodown and Unabomber shows. The Lodown opening event was one to remember, we hired Sumo suits for people to have sumo fights in what is now the Custard Factory reception, it all got quite messy towards the end of the evening. ” Merzbow, Coil, Fugazi, Godspeed, Kid 606, People Like Us, Melt Banana, Lydia Lunch, and a host of other great, good and ghastly acts have passed through the Custard Factory home of Capsule over the last five years. Now we expect to be greeted by Japanese freaks, teutonic goatees and taciturn Wire types as we assemble to witness the latest US undergound phenomenon/Bedroom Terrorist.

As a Capsule event regular explains “10 Years ago if you wanted to go see any of these or similar bands you would be taking a trip to London or nearby, better cities like Manchester, Edinburgh or Wolverhampton, and sleeping under some damp cardboard boxes at the station, or someone’s sticky lino kitchen floor because the last train back to Brum was at ten to nine.”

There is a thin line between fan and promoter. The reason Capsule are 5 years old at all is that there was nothing of interest to your curious music devotee in Birmingham in 1999. The last recourse of a frustrated music fan is to do-it-yourself. If there are no good gigs here then we should put some on ourselves! This is the point at which Capsule become an inspiration to anyone in a musical ‘backwater’ – Start something yourself and bring the music to you.

Early nights featured the likes of Snail Racing, Bilge Pump, Buick 6 and do make say think. Discerning music fans emerged from the woodwork and a scene was set.

Events such as this formed the platform from which to build a reputation. This in turn raised the bar on the acts that could be brought to town.

Now events like Fugazi, Chicks On Speed, Godspeed you Black Emporer! or Kid 606 were possible. This inexorable rise has been managed with restraint and culminates in the mighty Supersonic Festival. Now an annual event which has featured a stellar cast including Coil, Deadsunrising, Luke Vibert, DJ Scud and Senor Coconut and His Orchestra.

Of all these what have been the favourites from the promoters point of view ? Jenny again,

“With Capsule and Cake we worked with Ian Francis who asked us to come and do an alternative event for the Birmingham Film and Television Festival. We mixed live music with relevant films (and cake!), it is one of our favourites for several reasons, firstly it was a predominantly Birmingham line up and it was a sell out show, It was good to do an event in a non music venue puts a twist on the whole night. There was a really good atmosphere the whole evening.”

“The first Supersonic Festival was a big achievement for us and made us feel excited about what we were doing. Fugazi was the most star struck we have ever been, meeting our teenage heroes.”

The credibility of the Capsule events is an aspect which the Capsule Girls are keen not to compromise. As events like Supersonic have become larger scale, 2004 was over 3 days, they have worked to balance the expectations of the audience, the level of quality they are associated with and the commercial necessities of running larger music events. One thing is certain though, the people who benefit are the music fans of the West Midlands. One recent comment from a Birmingham Culture Discussion Forum says it all

“It’s true though that their programming has been consistently interesting and helped to open a space for more dynamic and ‘cutting edge’ performers in Birmingham, which has traditionally tended to go along a rather conservative path in relation to music…”

An important factor in the respect which Capsule events are afforded is the sheer variety of artists that they have put on. There is no scene promotion or fashion following here, just high caliber artists with a proven track record for engaging live events. The only thing that links Electric Wizard, DJ Shitmat, Senor Coconut, Marc Almond and Matt Wand is that any discerning music fan should see them.

To celebrate 5 years as Birminghams musical curators there is a party featuring Friends of the stars, Noise Noise Alore, Esquilax, Floach and PCM. As the girls themselves put it

Well we just can’t believe we’ve been around for so long and been allowed to get away with it…….in order to celebrate and thank all those who have supported us over the years we’re throwing a party including a final farewell from the legendary king of pop Floach and a set by PCM but not as you know them.”

Again this event confirms Capsules commitment to local music and the people who come through the door to support the artists and events.

Over the last five years or so things have changed, now, you can go to see good, interesting new music at a fair price, meet groovy, fun people and still have enough change from a twenty for a balti. It is almost exclusively the Capsule Girls who have made this happen. We should be grateful.



  

Contact Links Forum Stuff to buy Consultancy About us Past projects Coming up Home

 

Capsule 5 years on – Colin Tudor

It is so easy now to mull over the relative merits of the DJ Rupture or Lightning Bolt gig on in town tonight. 5 years ago the idea of a regular flow of cutting edge, vital new music flowing through Birmingham was a fantasy. Over the intervening years Capsule have proved to be diligent and energetic supporters of quality music with the ears of true fans and DIY commitment we should all applaud.

Over 5 years Capsule have presented 86 events. Capsule has presented artists from a range of genres and a mixture of established and emergent artists, with an emphasis on the experimental side of each genre. Capsule have built up a reputation for bringing international / national talent to the West Midlands and for being instrumental in the development of the current experimental music scene in the region. Every one of these events has featured regional artists, they are fundamental to Capsules activities and to the creative scene within the West Midlands.

Capsule are Lisa Meyer & Jenny Moore, they create, curate and facilitate Capsule events and collaborations with energy, wit and positive spirit. Whether it be art installations, organizing trips to Sonar, co-promotions with local promoters, Cinema or cultural events.

Jenny explains “Exhibitions have also been high on the list of things we like to do. Giant was an early high point because we were so thrilled to have an exhibition by an artist whose work we really admired, and equally so with the Lodown and Unabomber shows. The Lodown opening event was one to remember, we hired Sumo suits for people to have sumo fights in what is now the Custard Factory reception, it all got quite messy towards the end of the evening. ” Merzbow, Coil, Fugazi, Godspeed, Kid 606, People Like Us, Melt Banana, Lydia Lunch, and a host of other great, good and ghastly acts have passed through the Custard Factory home of Capsule over the last five years. Now we expect to be greeted by Japanese freaks, teutonic goatees and taciturn Wire types as we assemble to witness the latest US undergound phenomenon/Bedroom Terrorist.

As a Capsule event regular explains “10 Years ago if you wanted to go see any of these or similar bands you would be taking a trip to London or nearby, better cities like Manchester, Edinburgh or Wolverhampton, and sleeping under some damp cardboard boxes at the station, or someone’s sticky lino kitchen floor because the last train back to Brum was at ten to nine.”

There is a thin line between fan and promoter. The reason Capsule are 5 years old at all is that there was nothing of interest to your curious music devotee in Birmingham in 1999. The last recourse of a frustrated music fan is to do-it-yourself. If there are no good gigs here then we should put some on ourselves! This is the point at which Capsule become an inspiration to anyone in a musical ‘backwater’ – Start something yourself and bring the music to you.

Early nights featured the likes of Snail Racing, Bilge Pump, Buick 6 and do make say think. Discerning music fans emerged from the woodwork and a scene was set.

Events such as this formed the platform from which to build a reputation. This in turn raised the bar on the acts that could be brought to town.

Now events like Fugazi, Chicks On Speed, Godspeed you Black Emporer! or Kid 606 were possible. This inexorable rise has been managed with restraint and culminates in the mighty Supersonic Festival. Now an annual event which has featured a stellar cast including Coil, Deadsunrising, Luke Vibert, DJ Scud and Senor Coconut and His Orchestra.

Of all these what have been the favourites from the promoters point of view ? Jenny again,

“With Capsule and Cake we worked with Ian Francis who asked us to come and do an alternative event for the Birmingham Film and Television Festival. We mixed live music with relevant films (and cake!), it is one of our favourites for several reasons, firstly it was a predominantly Birmingham line up and it was a sell out show, It was good to do an event in a non music venue puts a twist on the whole night. There was a really good atmosphere the whole evening.”

“The first Supersonic Festival was a big achievement for us and made us feel excited about what we were doing. Fugazi was the most star struck we have ever been, meeting our teenage heroes.”

The credibility of the Capsule events is an aspect which the Capsule Girls are keen not to compromise. As events like Supersonic have become larger scale, 2004 was over 3 days, they have worked to balance the expectations of the audience, the level of quality they are associated with and the commercial necessities of running larger music events. One thing is certain though, the people who benefit are the music fans of the West Midlands. One recent comment from a Birmingham Culture Discussion Forum says it all

“It’s true though that their programming has been consistently interesting and helped to open a space for more dynamic and ‘cutting edge’ performers in Birmingham, which has traditionally tended to go along a rather conservative path in relation to music…”

An important factor in the respect which Capsule events are afforded is the sheer variety of artists that they have put on. There is no scene promotion or fashion following here, just high caliber artists with a proven track record for engaging live events. The only thing that links Electric Wizard, DJ Shitmat, Senor Coconut, Marc Almond and Matt Wand is that any discerning music fan should see them.

To celebrate 5 years as Birminghams musical curators there is a party featuring Friends of the stars, Noise Noise Alore, Esquilax, Floach and PCM. As the girls themselves put it

Well we just can’t believe we’ve been around for so long and been allowed to get away with it…….in order to celebrate and thank all those who have supported us over the years we’re throwing a party including a final farewell from the legendary king of pop Floach and a set by PCM but not as you know them.”

Again this event confirms Capsules commitment to local music and the people who come through the door to support the artists and events.

Over the last five years or so things have changed, now, you can go to see good, interesting new music at a fair price, meet groovy, fun people and still have enough change from a twenty for a balti. It is almost exclusively the Capsule Girls who have made this happen. We should be grateful.

SHARE:

Sunn 0))) + Black Galaxy

SUNN O)))
BLACK GALAXY

SUNN 0))) is a side project of Khanate/Burning Witch (Steve O’ Malley) and Goatsnake (Greg Anderson) members. It was formed in memory of the cult drone-riff founders EARTH and honors the beautiful Ozma. The SUNN0))) mission is to create trance like soundscapes with the ultimate low end/bottom frequencies intended to massage the listeners intenstines into a act of defecation.

 

 

kREEPA mix electronic and acoustic elements to create improvisations that explore the dynamic interplay between acousmatic synthesis and instrumental approaches.

Black Galaxy features Nicholas Bullen whose abrasive work in Napalm Death initiated a new musical genre known as ‘Grindcore’ and later a member of the dark, isolationist and dub-influenced Scorn. In collaboration with Simon Mabbutt they fuse cold and alien galactic soundscapes with minimal warped bass and glacial rhythmic underpinnings to create nocturnal sonorities.

Together, the musicians will collaborate to create a soundfield which fuses analogue/acoustic and digital/electronic elements into a series of tonal clusters and soundscapes.

 


 

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5ive + Ramesses + Mistress

5IVE
RAMESSES (ex electric Wizard)
MISTRESS

Ongoing travels through the far reaches of interstellar soundscapes At a velocity that rivals that of darkness creeping over the horizon, 5ive slowly but surely grips with its sonic mantras, hypnotizing audiophiles into trance-like states of aural ecstasy. Similar to a black hole in its colossal power, 5ive’s ability to suck in the consciousness of spectators into its realm of existence remains unrivaled by any other force in the universe.
Utilizing various vintage effects, guitars, tube amplifi-cation units, speaker cabinets and an early 20th century drum kit of monstrous proportions, 5ive are one of the few acts that actually live up to the definition of superlatives such as ³heavy² and “crushing” adjectives often tossed around carelessly by critics. Creating massive walls of analog energy that defy easy categorization, the duo have thus far managed to create the equivalent of a space shuttle pharmacy, composing mini-symphonies that hang in the atmos-phere, with effects similar to Ambien, Xanax, Valium and other synthetic sedatives. And while the layers of sound that crash and resonate are certainly enhanced by illicit chemical compounds, 5ive¹s hymns are a new type of drug, lulling the listener into a deeper spectrum of transcendence.
(label mates of ::scissorfight/dukes of nothing/old man gloom)

 

 

RAMESSES was born in England, February 2003. The seed of inspiration that gave birth to the band came from Mark Anthony Greening (who was incidentally named after the movie Cleopatra, that stars Elizabeth Taylor). Earlier during that bitter winter, he had parted ways with the band he’d drummed for since its creation, Electric Wizard, and wanted to continue to push his (now world famous) insanely creative drumming. Similarly, Tim Bagshaw, his long-time friend, had also left Electric Wizard, looking to leave behind what he saw as the boredom of the bass in favour of the guitar. Their departures shocked both the media and fans alike, who are still debating the reasons why…

 

 

 

Formed in Birmingham during 1999, MISTRESS have released two albums to date “Mistress” and “The Chronovisor” ‹ to rave reviews and have gigged with the likes of NAPALM DEATH, MAYHEM, ELECTRIC WIZARD, BOLT THROWER and EXTREME NOISE TERROR. Their hard-to-pin-down sound comes across as a sickening sludge/grind/doom hybrid, reminsicent of the early U.K. grind scene of the late ’80s and early ’90s, and has been described as
“a vile musical bastard, a bilious, screaming, snot-faced sludge orphan with all the taste and decorum of a sexual encounter in Wormwood Scrubbs.”

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Capsule + House of God

 room 1 ::
 surgeon
 sir real
 harvey lane
 paul damage
 rooom 2::
 dj/rupture (tigerbeat6)
 ove-naxx (japan)
 dj x
 sherwen

HOUSE OF GOD Residents::SIR REAL . PAUL DAMAGE . HARVEY LANE  . DJ X
Since 1993 HOG has paved the way for the UK underground club scene, creating its own sound and image, achieved by using local DJs as residents (a premise that HOG still stands by today), and playing the widest variety of hard edged music possible. HOG has consistently showcased techno artists, especially British DJs way before other clubs polluting the minds of Midlands youth with noise and sickness.

check out the website http://www.hog.org.uk

 

 

An envious musical run has seen RUPTURE taken in by raggamuffins, punk technoids, indy hipsters, junglists, peers, and austere critics alike. To many he is the new face of urban music…the potent sound of genre bending and overcrowded city life, a post-cultural broken mirror that mashes hiphop, techno, reggae, afro-cuban, spoken word, bohemian rhapsodies, folk music, the chanteuse, breakbeats, avant-garde noise, and jazz through the strainer of a DJ’s mentality.

 

 

OVE-NAXX is pioneering a delirious take on raggamuffin drum & bass and post-modern Nipponese pop. Catchy synth melodies buzz inside fast-moving thickets of percussion. Reggae and video-game music are an obvious influence, as are Japanese harmonic systems. The overall sound can be compared to artists such as Venetian Snares, DJ /Rupture, or Squarepusher, but Ove-Naxx’s superb production has a voice all its own. Meticulous sampling, nonstandard IDM flourishes, and psychedelic digital noise swell around uptempo reggae-flavored beats as funky as they are fractured. Ove-Naxx makes intricate pop songs and is unafraid to use distortion, speed, and mayhem as compositional tools.

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Minus The Bear (USA – ex BOTCH)

MINUS THE BEAR (ex Botch)
THE MURDER OF ROSA LUXEMBURG
 NUMINOR

Event Details:
MINUS THE BEAR Minus the Bear rose from the ashes of bands such as Botch, killsadie, and Sharks Keep Moving. For fans of Don Caballero with screwball song titles, deft tempo-shifting, and Wyld Stalyn-worthy fingertapping methods.
for further info:
www.minusthebear.com

 NUMINOR Stealing their name from the French 80’s Cartoon Ulysees 31, Numinor didn’t initially place too much emphasis on the choice of name, instead wishing to get on with the rock. The frivolity of the name does not, however, cross over into the music. A tight, clinical mixture of myriad influences gives a sound that, whilst having reference points to grasp onto, can never truly be pinpointed, often going into unexpected territory. For closer inspection think spazzy rock’n’roll hitting on post-rock and harder sounds, taking in the influence of artists as disparate as circle takes the square, jairus, black cross, mogwai, q and not u, envy, breather resist and the great redneck hope amongst many others. www.numinor.co.uk.

 

http://www.undergroove.co.uk/bands/themurderof.aspx

The Murder Of Rosa Luxemburg – Worcester’s best ever camp math violence crew! A bunch of youngsters who really didn’t give a flying fuck about anything apart from the music they were creating! Chaos like no other! Hand claps and ‘woos’

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To Rococo Rot + Pram

To Rococo Rot
Pram

 

 TO ROCOCO ROT ‘s stated aim has always been the transfer of electronic music from the club to everyday life, in which music in its fleeting, non tangible form becomes something more concrete. They formed in 1995 when brothers Robert and Ronald Lippok were invited by the owner of a gallery, in which they were exhibiting their artwork, to record some music instead of providing a catalogue. Rising to the challenge, they invited bassist Stefan Schneider from up and coming DŸsseldorf based Kreidler to join them. The result is an oddly jarring musical landscapes with a minimum of self-consciousness and a maximum of groove. These guys play a stunning live set.

Birmingham based PRAM are best described as kitsch – horror music , incorporating Fisher Price toys, triangles and glockenspiels with eerie keyboards , horns in a jazz tinged lounge music style, which is best summed up as ‘uneasy listening’ music.

 

 

 

Birmingham based PRAM are best described as kitsch – horror music , incorporating Fisher Price toys, triangles and glockenspiels with eerie keyboards , horns in a jazz tinged lounge music style, which is best summed up as ‘uneasy listening’ music.

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